The period drama “Endless River” has recently concluded its pre-screening, closely mirroring the climax of the original novel. In the finale, both Wei Zhao and Emperor Xie Che of the Daling Empire meet their demise together. With Xie Che’s death, the crown prince ascends to the throne, and Pei Yan takes on the role of prime minister. Consequently, the myriad injustices that Daling imposed on Yue Luo are abolished.
An intriguing aspect of the series is the unavoidable fate of Wei Zhao. His death raises questions: Why was it necessary for him to perish? The storyline intricately weaves Wei Zhao’s fate, which is sealed by multiple forces beyond his control. The only individual who wishes for his survival is Jiang Ci.
Wei Zhao’s journey in this tale is marked by an entwined destiny with Xie Che. Their shared fate is orchestrated by their longstanding rivalry and mutual animosity, which ultimately leads to a confrontation that neither escapes from alive. This climax is not just a personal vendetta but is deeply rooted in the broader political and social upheavals within the Daling Empire. The eventual downfall of these two characters symbolizes the end of an era characterized by inequality and oppression.
The decision to end Wei Zhao’s life can be examined from a narrative necessity perspective. His character embodies the deep-seated conflicts and injustices within their world. By sacrificing himself alongside the emperor, a significant transformation occurs. This act paves the way for a new leadership under the crown prince and Pei Yan, who both aim to reform the system for the better. The removal of Wei Zhao from the scene thus becomes a catalyst for renewal and change.
Moreover, uninterrupted life for Wei Zhao would disrupt the narrative balance and deny the story its powerful conclusion. Living on could have meant carrying forward unresolved disputes and grievances, leaving the empire caught in an interminable cycle of strife. His death serves as a narrative device, providing closure and opening the door to reform and progress.
Amongst all the characters, Jiang Ci stands out as the solitary figure lamenting Wei Zhao’s demise. Her perspective offers a poignant contrast to the overarching narrative that champions his death as a means to achieve greater good. Jiang Ci’s desire for Wei Zhao’s survival underscores a personal dimension of loss and longing that resonates deeply with the audience. Her emotional conflict adds layers to the story, reminding viewers of the personal costs embedded in grand historical shifts.
The progression from a regime steeped in inequality, as headed by Xie Che, to an era of promise under new governance, outlines a profound societal transformation. The ascendance of Pei Yan as prime minister is particularly significant. His leadership represents hope and change for Yue Luo, a region that had long suffered under Daling’s oppressive policies. Under the new regime, these injustices are systematically dismantled, marking a turning point in the series.
In conclusion, Wei Zhao’s death is the culmination of a narrative arc that harmonizes personal conflict with wider societal issues. It is a deliberate choice that brings about necessary change within the storyline, allowing the series to achieve a satisfyingly cohesive end. While Jiang Ci’s lament provides an emotional counterpoint, it also enriches the narrative, ensuring that the conclusion resonates on both a personal and collective level. The series wraps up with a message of hope and renewal, setting the stage for an era driven by fairness and opportunity.